We can’t simply ignore the rules of grammar just because we don’t like or understand them. No matter what tools and tricks you choose to employ in your poems, the most important thing to remember is to be intentional. And if chaos is your game, still check that you’ve stayed committed to a certain aesthetic of chaos throughout your poem. Be sure to check for these types of inconsistencies when you’re ready to proofread your work. When you’ve been swept away in the throes of creativity, it’s common to overlook elements of consistency like subject-verb agreement, verb tense, numbers or colors of items, and so on. While it can be fun to play with the rules of grammar, consistency is usually a different story. While Cummings largely flouts traditional rules of grammar, he creates structure through literary devices like alliteration, imagery, and enjambment. See “ anyone lived in a pretty how town ,” for example. Cummings might be one of the most famous poets who’s pulled it off. However, poets have the opportunity to play with this structure to create a sense of abstraction, or even chaos, in their work. In English, we generally expect sentences to follow a basic word order: subject-verb-object. Meanwhile, the absence of capitalization can create a more relaxed or subdued tone. A capital letter may indicate the start of a new sentence or idea, or it can signify importance when applied to a certain noun or pronoun. The key to using capitalization to your advantage is to remember that it draws the reader’s attention. Some poets choose to forego capital letters altogether, while others strictly adhere to tradition. While plenty of successful poets follow this rule, there are many who break them-especially in contemporary poetry. The traditional rules of grammar in poetry require capitalization of the first word of each line (in addition to proper nouns). Rather than indicating a pause, enjambment can intensify the relationship between the last word in one line and the first word of the next. Enjambment is the polar opposite of an end stop. And, of course, we can’t talk about line breaks without talking about enjambment, which is when a sentence spills into the next line without punctuation. Line breaks help create rhythm in a poem, they help separate ideas, and they create dynamic tension. It’s important to remember that line breaks aren’t just the end of the sentence or the end of the physical page.
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